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Originally released in 1988 and 1989, these records sound like nothing else from the period, deftly blending gothic post-punk with pagan tribal psychedelia.

Unfortunately producer Iron Jaw Harris didn't live long enough to see the album issued.

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Inspired by the physical energy of Cab Calloway and Michael Jackson, the concision of The Ramones, and the style of film noir, Moon appreciates these musical giants through the gaze of his wit and irrefutable sound.

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A maniac is on the loose-his prey? The album features some of the most dynamic, complex songs Deschanel has ever written, allowing for tempo shifts, disco grooves, string arrangements on multiple tracks, and horn flourishes.

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Here, they sift through the deepest trenches of prog-influenced epic-doom and blackened metal to produce an awe-inspiring aural assault to the senses.