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So now you want cheap thrills and like plenty of them, and it don't matter how tawdry or vacuous they are as long as it's new, as long as it's new, as long as it flashes and fuckin' bleeps in forty fuckin' different colors.

The naked and the lost, the wandering spectre of the sentient living dead, and the pitiful yet mercifully ignorant companions that cross his path.

So whatever else you can say about me, I'm not fuckin' bored.

It was like watching Michelangel applying his final daub to the Sistene Chapel, the incomprehensible achievement of a perfect artistic vision, and the attainment of a transcendent brilliance.

An unemployed Mancunian vents his rage on unsuspecting strangers as he embarks on a nocturnal London odyssey.

He said, and did, in two hours, all that I could have hoped to achieve in an entire career, and it became gapingly obvious to me that I had no business in this medium.

This film, Mike Leigh's incomparable, unprecedented masterwork, cured me of that fantasy.

.

An unemployed Mancunian vents his rage on unsuspecting strangers as he embarks on a nocturnal London odyssey.

In my adult life, this is the one and only film that has ever moved me to tears with its ending.