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She Andy, and Martin catches the two in the act, before Andy reluctantly lies to him about it.

Martin keeps Celia around because her love and hatred of him means he knows she can't pity him.

Moorhouse peppers her drama with moments of levity that are pitch-perfect in transforming Proof from intelligent drama to genuine crowd-pleaser.

Birthday and Born on 1956.

Celia harbors a deep-seated and obsessive crush on Martin, as evidenced by the scores of photographs of him adorning the walls of her flat, and takes out her frustration at her by tormenting Martin in small ways, such as rearranging the furniture in his house.

The wonderful Genevieve Picot is back! It is again a superb performance.

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This childhood experience strongly affects Martin as an adult, as he anticipates that sighted people will take advantage of his blindness to lie to him, or worse yet, him.

Other than that, the data about her past and present relationship are still under the cotton.